Every once in a while I come across something so unusual, so rare, so fantastic that I know I will never own another one like it. Such was the case with these exquisite French early 19th century columns. Today there are too many "French antiques" on the market that are not really old, but more "in the style of." Therefore, when I find something this spectacular and this authentic, I want to share it with you.
One look at the extensive detail in the columns and capitals, and it is evident that these were indeed a special architectural ornament when they were created. The deep carving and scrollwork of the capitals combined with the delicate scalloped beading create a very rare capital. The original gilt has mellowed to a soft, but rich patina. It does not bother me in the least that part of the capital is amiss; in fact, I like it as I think it lends a further rich architectural detail.
The columns are almost seven feet tall, but the gracious taper and narrow diameter combine to lend a verticality not often found in French early 19th century furniture and decorative objects. However, it is the incredible detail of the carving on the columns that is so spectacular. Reeding, beading, and diagonal lines move around and down the column for a subtle, but creative vertical design. The once rich blue paint has oxidized to a warm grey that melds beautifully with the gilt. They finally rest on square iron plates as a way to support what were inevitably an interior installation column.
These columns are like an exquisite piece of jewelry: a pair of intricate cuff links or delicately formed earrings that reveal another detail with each flicker of light. They are indeed rich; unusual; and very rare. A treat for the viewer.
So where do you go to find incredible architectural elements like these? I haven't found the place yet. Today too many architectural element businesses are carrying pieces that are not well executed and more likely to be from the mid-20th century than the early 19th century. Or they are imported from China and Thailand, but they are not old...just made to look old.
Therefore, if you ever see something so well executed; so rich in patina; so delicate and bold at the same time; so well proportioned; and so highly creative: buy it! And until then, study these for everything that is beautiful and right and authentic for the only way to learn is to view the best. And if I find a source or a piece that reminds me of these, I'll certainly let you know of the best source for architectural elements.